Gary Bartz: alto, soprano saxophone
Axel Kaner-Lidstrom: trumpet
Shirley Tetteh: guitar
Al MacSween: keyboards
Twm Dylan: bass
Jake Long: drums
Tim Doyle: percussion
Es tut uns sehr leid, aber Gary Bartz hat diese Tournee abgesagt. Gekaufte Tickets werden rückerstattet! Bitte um Verständnis... P&B-Team
Having cut his teeth playing with the likes of Charles Mingus, Max Roach, Art Blakey and ﬁnally in 1970, Miles Davis at the peak of his electric period, Gary Bartz became a leading ﬁgure of the early-to-mid 70s spiritual jazz movement, releasing a string of ground-breaking albums on legendary NYC jazz label Prestige Records with his NTU Troop, featuring classics such as “Celestial Blues”, “Uhuru Dance” and “I’ve Known Rivers”, before collaborating on Blue Note Records with the Mizell Brothers on the anthemic jazz funk of “Music Is My Sanctuary”. An oeuvre much loved by soul jazzers and hip hop fans alike.
Led by drummer Jake Long, Maisha have been central to the UK’s jazz explosion, and have fast become the UK’s most exciting and in-demand young spiritual jazz ensemble, from steller shows at Jazz re:freshed, Total Refreshment Centre & Church of Sound and supporting the Sun Ra Arkestra, to releasing their critically acclaimed debut LP, “There Is A Place” on Gilles Peterson’s Brownswood Recordings in 2018. Theirs is an organic & explosive sound that blends inﬂuences from afrobeat and broken beat to Persian music, with a deep love and understanding of jazz, particularly the heritage of spiritual jazz led by titans such as Pharoah Sanders, Alice Coltrane and of course, Gary Bartz.
Now the relationship has evolved into a special straight-to-disc recording for Night Dreamer Records, that captures the vitality of their collaboration. Whilst Bartz and Maisha reinvent classic Bartz compositions “Uhuru Sasa” and “Dr Follows Dance”, extending the pieces into long piece improvised grooves, their recording session gave birth to three brand new joint compositions, written the very same day. These include the propulsive “Leta’s Dance” that magically combines the Bartz’ soulful musical lyricism with Maisha’s African-jazz inﬂuences, and the organic jazz funk of “Harlem to Haarlem”.
This record really is an event, in and of itself, a meeting of talents, minds, generations and zeitgeist moments, captured in a unique and pure manner. The music does not disappoint, as Maisha have been inspired to reach new heights whilst we ﬁnd Bartz truly reinvigorated, and both artists in tune to the spirit of the other.