Nopera is not really an opera. It combines references to opera with a lot of improvisation. The performance consists of a series of compositions that serve as elements with which to build the whole piece, which can be structured in a different way every time. The libretto is written in a fantasy language, which the singers can use in any way they want. The compositions may appear in every possible shape, sometimes slow and very soft, sometimes fast and wild. They can be interrupted, evolve into an improvisation or into another composition, or just be ignored. Working like this gives the singers and musicians the chance to develop their own ideas, to tell their own story, and to give a different direction to the concert every time. (Pressetext)