Wed June 5, 2019

Hazmat Modine 'Box of Breath Tour' (USA)

Wade Schumann: diatonic harmonica, guitar, banjitar, lead vocals
Thor Jensen: lead, background vocals, banjo, guitar
Joseph Daley: sousaphone
Patrick Simard: percussion, drums
Steve Elson: baritone, tenor saxophone, clarinet, duduk, flute
Charly Burnham: violin, vocals
Pamela Fleming: trumpet, fluegelhorn
Reut Regev: trombone

Hazmat Modine is a band in perpetual motion.To them, timelessness, innovation and inclusiveness trump the trendy and the ephemeral. The very definition of honest-to-goodness American roots music – but also considerably more global and exotic – Hazmat Modine is visually and aurally captivating, continually exploratory, and thoroughly engaging.

Formed in 1998 by Wade Schuman, who writes and sings nearly all of the band’s material and forges their creative direction, Hazmat Modine seamlessly integrates primal, guttural blues, funky, unadulterated old school R&B and myriad sounds from other cultures, absorbed during their constant touring in more than 20 different countries across the world. Schuman says: “Hazmat Modine tries to get to the core of what makes American music work, and American music is informed by the immigrant experience. There’s an organic evolution that takes place. American music is world music in essence since it is a product of the all diasporas that have come here.”

HAZMAT is an American English word for Hazardous Materials. AKA dangerous materials, you see it on the sides of trucks or special trashcans. MODINE is the brand name for an industrial forced air heater unit, the kind that hangs down in garages and artists lofts… the company is in Muncie Indiana… they are both American words, but the sound of them together is rather exotic. People often think HAZMAT is Turkish.

Hazmat Modine’s Style
Hazmat Modine draws from the rich soil of American music of the 20′s and 30′s through to the 50′s and early 60′s, blending elements of early Blues, Hokum Jug band, Swing, New Orleans R&B, and Jamaican Rocksteady. A pointer to Hazmat’s methodology can be found in the band’s configuration. Schuman’s guitar, diatonic harmonica and intensely earthy vocals set the tone. A solid battery of sounds – tuba, accordion, trumpet, flugelhorn, trombone, tenor and baritone saxes, piccolo and duduk, banjo, mandocello and steel guitar – explores the textural and melodic outer limits of Hazmat’s meticulously woven compositions, while guitars and drums lock down a groove and provide sonic spicing.