Sat June 20, 2020
20:30

Georg Vogel: piano
Andreas Waelti: bass
Michael Prowaznik: drums

Wir stellen ab ca. 20h auf "Now Live" und dann tut sich automatisch ein Fenster auf, wo Sie via Vimeo kostenlos und ohne irgendeine Registrierung das Konzert miterleben können. Wenn Sie wollen, unterstützen Sie dieses Projekt über "Pay as you wish". Vielen Dank & Willkommen im virtuellen Club!

Seit dem 29. Mai dürfen wir (eingeschränkt) Publikum in den Club lassen und zwar dergestalt, dass zwischen den Sitzplätzen mindestens ein Meter Abstand gehalten wird. Wir haben nun alle möglichen Sitzplatzvarianten ausprobiert und glauben eine praktikable Lösung für knapp 90 Besucher gefunden zu haben. Rechtzeitig Karten sichern & Willkommen im Club! CH

Around 8 p.m. we switch to “Now Live”. A window will open and you can watch the show via Vimeo – free of charge and without signing up. You can support this project via “Pay as you wish”. Many thanks and welcome to the (virtual) club!

As of May 29th we are allowed to invite a (limited) audience to the club, if a minimum distance of 1 meter between seats is guaranteed. We’ve tested a lot of seating variations and are convinced we have worked out a practical solution for almost 90 spectators. Please make sure to get your tickets in advance – welcome to the club!

In films, time and place are used to ground a story in a particular atmosphere, to give it emotional background – but they reveal little about the story itself, about its meaning or eventual resolution. The compositions of the Vienna-based ensemble Tree serve a similar purpose: they provide a setting, but it is during the process of improvisation and interaction that they truly unfold into living, breathing stories.

Georg Vogel, Andreas Waelti and Michael Prowaznik play jazz in all its various forms, devoting themselves to the interplay of conceptual and intuitive ideas, elaborating or contrasting them in the course of their improvisation. The trio’s approach is refreshingly undogmatic: anachronisms are cleverly updated, liberated, and merged with the modern to form new hybrids. «Tree» works as a unit in the best sense of the word, showing conclusively that even in postmodern times, music can retain a special vitality.