Mon March 25, 2024

Famoudou Don Moye Trio (USA/F/I)

Don Moye: drums, congas, percussion
Simon Sieger: piano, organ, trombone
Christophe Leloil: trumpet, fluegelhorn

We start the live stream approx. 1/2 hour before the concert begins (real time, no longer available after the end of the concert). By clicking on "Go to livestream" a window will open where you can watch the concert free of charge and without any registration. However, we kindly ask you to support this project via "Pay as you wish". Thank you & welcome to the real & virtual club!

Percussionist and drummer Famoudou Don Moye (b. Donald Moye, Jr., 1946) is a career-long disciple of African American, African, and Caribbean rhythmic techniques best known for his ongoing, fifty-year tenure as the pulse-bearer behind avant-garde jazz trail-blazers the Art Ensemble of Chicago. Born in Rochester, NY, Moye began his career in creative music while a student of philosophy and percussion in Detroit, where he was mentored by trumpeter Charles Moore and, in 1966, first encountered the Art Ensemble through the Detroit Artists Workshop collective. Seeking to escape domestic political turmoil in the wake of Dr. Martin Luther King Jr.’s assassination, Moye took an opportunity to travel to Europe as a member of the Detroit Free Jazz group only to arrive in Paris as the civil unrest of May ’68 began to erupt. Out of the frying pan and into the fire, Moye worked with Sonny Sharrock, Pharoah Sanders, and Steve Lacy in Europe, and traveled to Africa to collaborate with Moroccan Gnawa musicians and study the Mandingo djembe with Malinké master drummer Famoudou Konaté, from whom Moye he derived his name, in 1985. While he was living in Paris, the percussion-less quartet version of the Art Ensemble of Chicago asked Moye to join in 1969, and he has been a permanent member ever since.

Moye’s first release, the exploratory solo LP Sun Percussion, Volume One (AECO Records, 1975) referenced his heliocentric, meditative philosophy of the drum that, in tandem with his commitment to large ensembles, has since evolved into the Sun Percussion Summit. His vast discography includes more than seventy albums with the Art Ensemble, more than one-hundred recordings as a bandleader and bandmember with groups including Lester Bowie’s Brass Fantasy, Lester Bowie’s New York Organ Ensemble, The Kirk Lightsey Trio, and jazz supergroup The Leaders; credits on Tulio De Piscopo’s Italian disco classic “Stop Bajon” with Pino Daniele; and countless sessions with the likes of Sun Ra, Milford Graves, Wadada Leo Smith, Hamiet Bluiett, Julius Hemphill, Kenny Clarke, Von Freeman, Randy Weston, Joseph Jarman, Baba Sissoko, Cecil McBee, and many others. A two-time recipient of grants from the National Endowment for the Arts, Moye now lives in Marseille, France, where he continues his research into the rhythms and instruments of the African Diaspora, abiding by his core tenets of patience, discipline, endurance, and focus. Taking the Art Ensemble’s mantra “Great Black Music—Ancient to the Future” to heart, he promotes cross-cultural exchange through the presentation of international workshops with the hopes of supporting world peace, indigenous cultures, and creative productivity for all human beings.